This exhibition of ten large photographs focuses on a key aspect of the recent work of Barry Frydlender (Israeli, born 1954). Using a handheld digital camera, Frydlender accumulates dozens, sometimes hundreds, of individual shots, then assembles them seamlessly in a computer. This method yields two distinctive results: Although the camera is small, Frydlender's big prints are unusually sharp and precise. And, while the picture describes a unified swath of space, it is not confined to a uniform period of time. Clues to the passage of time (such as figures that appear more than once) disclose the artificiality of the image and invite careful scrutiny of its rich details. Dica e texto Moma. Para ver mais fotos clique.
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